{ "id": 781, "artistId": 112, "cover": "https://ycg-1251509803.file.myqcloud.com/exhibition/work/exhibition-work--c6f4dc8b-8ecb-4247-a258-c3b7fbc70d80.png", "type": 2, "classify": 2, "title": "石阡礼物", "introduce": "石阡礼物", "artist": { "id": 112, "avatar": "https://ycg-1251509803.file.myqcloud.com/exhibition/artist/exhibition-artist--ce342762-8e11-4e68-ac4f-e018b1dbcfe7.jpeg", "pseudonym": "二十四节气", "title": null } }

二十四节气 插画作品

{ "id": 260, "artistId": 54, "cover": "https://ycg-1251509803.file.myqcloud.com/exhibition/work/exhibition-work--8d9875e8-2a45-468e-b346-722d1ab4c2b1.png", "type": 2, "classify": 2, "title": "注意安全", "introduce": "《味道·食之寓言》\n在《林中路》第一篇《艺术作品的本源》中海德格尔对梵高《农鞋》进行过描述：他从鞋黑洞洞的敞口中看到了劳动者步履的艰辛，从硬邦邦、沉甸甸的破农鞋看到了聚积在田垅上的坚韧与滞缓，鞋皮上粘着的温润的泥土在田野小径上踽踽独行。“在这鞋具里，回响着大地无声的召唤，显耀着大地对成熟的谷物的宁静的馈赠，表征着大地在冬闲的荒芜田野是朦胧的冬冥。这双器具浸透着对面包的稳靠性的无怨无艾的焦虑，以及那战胜了贫困的无言的喜悦，隐含着分娩阵痛时的哆嗦，死亡逼近时的颤栗”。这里所讲的是海德格尔从梵高的《农鞋》品到的“味道”。     \n我将这个系列的作品整体命名为《味道·食之寓言》，一方面食物本身有味道，一方面画也有味道。“味道”一词常常用来描述对某一特定物的个体感知，我想将两个方面结合起来，食之有味，品亦有味。\n食物的平常性常常让人忽略它能传递的信息，即便每日相处，也仅仅只是点头之交。我想它也有生命，它也有灵魂，我想和它交流，和它成为朋友，如此才能真正的认识它。《味道·食之寓言》系列聚焦于对视觉、味觉、触觉和情感之间的联系，表达对身边最常见的食物的视看感知。视觉可以看到的往往是外在的形体、色彩、质感和细节，而“味道”需要通过这些外在之物联系情感表现出来。通过视觉的看，味觉的品，触觉的抚摸，构成我对食物的整体性认知，再从食物本身给我传递的信息进行情感共鸣，真正的品鉴它们的“味道”。“味道”可感而不可见，是艺术中一种“沉默的声音”，通过绘画的手段，给予那种世俗眼光视而不见的东西以存在的可能性。", "artist": { "id": 54, "avatar": "https://ycg-1251509803.file.myqcloud.com/exhibition/artist/exhibition-artist--732696bd-5c51-455d-9b6d-a6bae53cf0ab.png", "pseudonym": "唐婷", "title": null } }

唐婷 插画作品

{ "id": 508, "artistId": 84, "cover": "https://ycg-1251509803.file.myqcloud.com/exhibition/work/exhibition-work--db6cfdfe-b241-4448-ba47-0a1fddd55a3a.jpeg", "type": 2, "classify": 2, "title": "歪理猫单幅3", "introduce": "歪理猫单幅3", "artist": { "id": 84, "avatar": "https://ycg-1251509803.file.myqcloud.com/exhibition/artist/exhibition-artist--e463e00f-512c-4ce8-b75e-21cdae06fe04.jpeg", "pseudonym": "歪理猫漫画", "title": null } }

歪理猫漫画 插画作品

{ "id": 529, "artistId": 88, "cover": "https://ycg-1251509803.file.myqcloud.com/exhibition/work/exhibition-work--8b8d37de-c9c0-427a-ae6c-f6f1387d39c2.jpeg", "type": 2, "classify": 2, "title": "我的悠长假期", "introduce": "《我的悠长假期》", "artist": { "id": 88, "avatar": "https://ycg-1251509803.file.myqcloud.com/exhibition/artist/exhibition-artist--4f1dbc13-aefe-4c66-85b8-7b895c8b30cc.png", "pseudonym": "辛一", "title": null } }

辛一 插画作品

{ "id": 774, "artistId": 111, "cover": "https://ycg-1251509803.file.myqcloud.com/exhibition/work/exhibition-work--7462b447-475a-421e-9393-46182cf7957a.jpeg", "type": 2, "classify": 2, "title": "中秋插画-奔月", "introduce": "中秋插画-奔月", "artist": { "id": 111, "avatar": "https://ycg-1251509803.file.myqcloud.com/exhibition/artist/exhibition-artist--7a8f8dc3-1b13-4486-b11c-c89515df88a9.jpeg", "pseudonym": "Zest", "title": null } }

Zest 插画作品

{ "id": 34, "artistId": 24, "cover": "https://ycg-1251509803.file.myqcloud.com/exhibition/work/exhibition-work--f36a0e9e-b249-4403-abab-7d56ea024c91.png", "type": 1, "classify": 2, "title": "极简身体", "introduce": "极简身体--发现身体局部美\nToby用他的相机研究了人体的形、体态、颜色，构图还有光线。Toby 选择了把注意力放在人身体上不 引人注意的细节，而不是记录整个身体。在相机的 帮助下，Toby 重塑了人体的每一个部分。他的作品 展示了一张全新的方式去观察人体的美感。Toby 的目标是重现人体身上那些难以发现的美。", "artist": { "id": 24, "avatar": "https://ycg-1251509803.file.myqcloud.com/exhibition/artist/exhibition-artist--4e3d367e-302d-4094-9e87-d346a95ba26c.png", "pseudonym": "曾瑞虎", "title": null } }

曾瑞虎 摄影作品