{ "id": 10, "artistId": 1, "cover": "https://ycg-1251509803.file.myqcloud.com/exhibition/work/exhibition-work--58830d46-aa60-4bc8-a8b4-6f30acc14629.png", "type": 1, "classify": 2, "title": "Half Lady OVV未来⼥性展览", "introduce": "“⼀半”是与“满溢”相对的，是⼀种永远留有空间与可能性的状态。\n其次，“⼀半”与“⼀半”相加不会得到⼀个简单的“⼀”\n，\n它永远站在封闭、唯⼀这类修辞的对⽴⾯，\n象征着流动、改变、融合，未来⼥性正是这样⼀个难以被定义，充盈着丰富含义与张⼒的场域。\n与⼀味的强调温柔或刚强不同，当下⼥性逐渐拥有更多⻆⾊，也随之带来认知⽅⾯的改变：\n⼀个在职场上拥有出⾊表现的⼥性，可能同时是⼀个好的妻⼦与⺟亲；\n⼀个⻓期在家当全职太太的⼥性，\n可能看似柔弱却拥有强⼤的内⼼与家事的管理能⼒。\n未来⼥性并不会抬⾼某⼀种⼈⽣选择与性格⽽贬低另⼀种，\n相反，\n她会在任何⼀种处境中感知到⾃⼰的独特性与⼒量。\n这就是未来⼥性的潜在⼒量。", "artist": { "id": 1, "avatar": "https://ycg-1251509803.file.myqcloud.com/exhibition/artist/exhibition-artist--582b7048-3e78-46dc-9f16-5327d5caf2ae.png", "pseudonym": "苏葵", "title": null } }

苏葵 摄影作品

{ "id": 922, "artistId": 118, "cover": "https://ycg-1251509803.file.myqcloud.com/exhibition/work/exhibition-work--66943a90-4118-44ec-8b83-f0e88a266c80.png", "type": 2, "classify": 2, "title": "去有风的地方", "introduce": "插画《去有风的地方》", "artist": { "id": 118, "avatar": "https://ycg-1251509803.file.myqcloud.com/exhibition/artist/exhibition-artist--28fd0dbf-a469-497e-bacb-a241f78b401e.png", "pseudonym": "疯姜大粒", "title": null } }

疯姜大粒 插画作品

{ "id": 751, "artistId": 110, "cover": "https://ycg-1251509803.file.myqcloud.com/exhibition/work/exhibition-work--64e1613b-d005-4256-a65c-c34c6abd7a2a.jpeg", "type": 2, "classify": 2, "title": "抗洪", "introduce": "政务民心", "artist": { "id": 110, "avatar": "https://ycg-1251509803.file.myqcloud.com/exhibition/artist/exhibition-artist--a329226d-4e00-4bf4-8d30-7eecf8da57bd.png", "pseudonym": "中国日报", "title": null } }

中国日报 插画作品

{ "id": 316, "artistId": 57, "cover": "https://ycg-1251509803.file.myqcloud.com/exhibition/work/exhibition-work--5b06a9b7-b7b8-461d-be59-f96481f7f6e4.jpeg", "type": 2, "classify": 2, "title": "星际探索", "introduce": "海报作品《星际探索》", "artist": { "id": 57, "avatar": "https://ycg-1251509803.file.myqcloud.com/exhibition/artist/exhibition-artist--c49dc3ab-cc32-418f-9d73-fce0c3ed74a0.jpeg", "pseudonym": "刚强", "title": null } }

刚强 插画作品

{ "id": 256, "artistId": 54, "cover": "https://ycg-1251509803.file.myqcloud.com/exhibition/work/exhibition-work--c197e9a7-51d8-4842-be78-67f85b5379c5.png", "type": 2, "classify": 2, "title": "鱼我所欲也", "introduce": "《味道·食之寓言》\n在《林中路》第一篇《艺术作品的本源》中海德格尔对梵高《农鞋》进行过描述：他从鞋黑洞洞的敞口中看到了劳动者步履的艰辛，从硬邦邦、沉甸甸的破农鞋看到了聚积在田垅上的坚韧与滞缓，鞋皮上粘着的温润的泥土在田野小径上踽踽独行。“在这鞋具里，回响着大地无声的召唤，显耀着大地对成熟的谷物的宁静的馈赠，表征着大地在冬闲的荒芜田野是朦胧的冬冥。这双器具浸透着对面包的稳靠性的无怨无艾的焦虑，以及那战胜了贫困的无言的喜悦，隐含着分娩阵痛时的哆嗦，死亡逼近时的颤栗”。这里所讲的是海德格尔从梵高的《农鞋》品到的“味道”。     \n我将这个系列的作品整体命名为《味道·食之寓言》，一方面食物本身有味道，一方面画也有味道。“味道”一词常常用来描述对某一特定物的个体感知，我想将两个方面结合起来，食之有味，品亦有味。\n食物的平常性常常让人忽略它能传递的信息，即便每日相处，也仅仅只是点头之交。我想它也有生命，它也有灵魂，我想和它交流，和它成为朋友，如此才能真正的认识它。《味道·食之寓言》系列聚焦于对视觉、味觉、触觉和情感之间的联系，表达对身边最常见的食物的视看感知。视觉可以看到的往往是外在的形体、色彩、质感和细节，而“味道”需要通过这些外在之物联系情感表现出来。通过视觉的看，味觉的品，触觉的抚摸，构成我对食物的整体性认知，再从食物本身给我传递的信息进行情感共鸣，真正的品鉴它们的“味道”。“味道”可感而不可见，是艺术中一种“沉默的声音”，通过绘画的手段，给予那种世俗眼光视而不见的东西以存在的可能性。", "artist": { "id": 54, "avatar": "https://ycg-1251509803.file.myqcloud.com/exhibition/artist/exhibition-artist--732696bd-5c51-455d-9b6d-a6bae53cf0ab.png", "pseudonym": "唐婷", "title": null } }

唐婷 插画作品

{ "id": 29, "artistId": 6, "cover": "https://ycg-1251509803.file.myqcloud.com/exhibition/work/exhibition-work--13458262-1a64-4c1c-af55-246aa42c909d.jpeg", "type": 2, "classify": 2, "title": "Infinite Intelligence", "introduce": "海报设计《Infinite Intelligence》", "artist": { "id": 6, "avatar": "https://ycg-1251509803.file.myqcloud.com/exhibition/artist/exhibition-artist--8b45a4d2-495e-4728-893b-bd7236647ecd.jpeg", "pseudonym": "徐凯", "title": null } }

徐凯 插画作品