{ "id": 114, "artistId": 33, "cover": "https://ycg-1251509803.file.myqcloud.com/exhibition/work/exhibition-work--03c057d2-3580-459f-b20d-e3258f9ad308.png", "type": 2, "classify": 8, "title": "曹氏风筝衍生产品", "introduce": "曹氏风筝衍生产品", "artist": { "id": 33, "avatar": "https://ycg-1251509803.file.myqcloud.com/exhibition/artist/exhibition-artist--17977083-b1d1-4eb9-8edb-a699c97c4716.png", "pseudonym": "孔令民", "title": null } }

孔令民 插画作品

{ "id": 117, "artistId": 34, "cover": "https://ycg-1251509803.file.myqcloud.com/exhibition/work/exhibition-work--4f86a016-078d-469e-89d9-ea629605056f.png", "type": 2, "classify": 8, "title": "女书作品", "introduce": "女书本质上是一种汉语方言音节表音文字，其写作特点是：造型极为独特，笔迹娟细婉约， 每个字的整体轮廓都呈现成长菱形，乍看之下似乎是涂改乱画，但细究之下却有可以发现 严格的规律。其中很多字与汉字的“多”颇为类似。\n有研究学者认为，女书是通过改造汉字而产生的变体，主要的方式有：字形整体向左倾斜， 形成菱形结构；将汉字中较为短小或者次要的笔画简化为圆点；将“横”、“竖”改造成 匀称的斜线条；取消笔画的大小变化趋势，一律统一写成粗细一致的线条。\n", "artist": { "id": 34, "avatar": "https://ycg-1251509803.file.myqcloud.com/exhibition/artist/exhibition-artist--de125917-1103-43c3-bc2b-ade26420a46c.png", "pseudonym": "胡美月", "title": null } }

胡美月 插画作品

{ "id": 400, "artistId": 66, "cover": "https://ycg-1251509803.file.myqcloud.com/exhibition/work/exhibition-work--eed9e154-e3d5-4627-86d4-ea8baec6abc9.png", "type": 3, "classify": 8, "title": "十二生肖", "introduce": "十二生肖", "artist": { "id": 66, "avatar": "https://ycg-1251509803.file.myqcloud.com/exhibition/artist/exhibition-artist--e118775a-faf2-40ec-b1ff-39b6f78ee41c.png", "pseudonym": "辛翠平", "title": null } }

辛翠平 非遗作品

{ "id": 113, "artistId": 33, "cover": "https://ycg-1251509803.file.myqcloud.com/exhibition/work/exhibition-work--0ac2c4e1-5a1b-45cf-9809-026b0656f6b5.png", "type": 2, "classify": 8, "title": "曹氏风筝衍生产品", "introduce": "曹氏风筝衍生产品", "artist": { "id": 33, "avatar": "https://ycg-1251509803.file.myqcloud.com/exhibition/artist/exhibition-artist--17977083-b1d1-4eb9-8edb-a699c97c4716.png", "pseudonym": "孔令民", "title": null } }

孔令民 插画作品

{ "id": 145, "artistId": 75, "cover": "https://ycg-1251509803.file.myqcloud.com/exhibition/work/exhibition-work--91b7dc88-db6b-4fc2-95f1-b9997244e5ad.jpeg", "type": 3, "classify": 8, "title": "苏绣作品", "introduce": "在姚建萍手中行云流水的针线，将苏绣的精细特点发挥得淋漓尽致。画面上的色泽深浅靠的是“分丝”，丝细一点，颜色就淡一点。在姚建萍手中，一根线最多可以分成300多根丝，“鱼水交融，靠的就是这么细的丝，一层一层叠出来。", "artist": { "id": 75, "avatar": "https://ycg-1251509803.file.myqcloud.com/exhibition/artist/exhibition-artist--734669d4-7def-49c8-b7e8-0fe8eb1278de.png", "pseudonym": "姚建萍", "title": null } }

姚建萍 非遗作品

{ "id": 99, "artistId": 30, "cover": "https://ycg-1251509803.file.myqcloud.com/exhibition/work/exhibition-work--432ca5d4-80c2-4eaa-871a-1c30037ce58e.png", "type": 2, "classify": 8, "title": "⻰凤呈祥⼤提篮", "introduce": "何红兵⼤师新作《⻰凤呈祥⼤提篮》灵感来源于故宫藏品，上下分为两层，每⼀层都运⽤了不同的东阳⽵\n编编制技法，耗时两年创作完成。\n融⼊故宫倦勤斋的⽵丝镶嵌技艺，将各种传统元素融⼊到提篮中，有⼭⽔有书画，有⺠间传说有吉祥图\n案，有忠孝节义也有梅兰⽵菊，中国传统的吉祥寓意在这件作品中表现的淋漓尽致，也让⽵编和⽊雕、贴\n⾦、彩绘、绕藤等⼯艺相融合，成为东阳⽵编的集⼤成之作。", "artist": { "id": 30, "avatar": "https://ycg-1251509803.file.myqcloud.com/exhibition/artist/exhibition-artist--5af8a660-2851-4a43-8e0d-fb6b99de12f9.png", "pseudonym": "何红兵", "title": null } }

何红兵 插画作品