{ "id": 833, "artistId": 115, "cover": "https://ycg-1251509803.file.myqcloud.com/exhibition/work/exhibition-work--51466504-c848-4c55-bf5b-cd439f6545e8.jpeg", "type": 2, "classify": 2, "title": "国域万象图文创插图设计", "introduce": "文物赋新计划 铜奖\n吕庆《国域万象图文创插图设计》", "artist": { "id": 115, "avatar": "https://ycg-1251509803.file.myqcloud.com/exhibition/artist/exhibition-artist--989a9e8d-748a-4918-be19-3e4011e00380.jpeg", "pseudonym": "文物赋新计划", "title": null } }

文物赋新计划 插画作品

{ "id": 615, "artistId": 101, "cover": "https://ycg-1251509803.file.myqcloud.com/exhibition/work/exhibition-work--10ab04a7-5c34-48fb-8205-8a3ca2f07e46.jpeg", "type": 2, "classify": 2, "title": "二等奖获奖作品", "introduce": "熊猫和川戏《生旦净末丑》", "artist": { "id": 101, "avatar": "https://ycg-1251509803.file.myqcloud.com/exhibition/artist/exhibition-artist--29a58ae1-ac51-4dda-a16c-0ef5ec65ff69.png", "pseudonym": "全球熊猫主题插画大赛", "title": null } }

全球熊猫主题插画大赛 插画作品

{ "id": 690, "artistId": 108, "cover": "https://ycg-1251509803.file.myqcloud.com/exhibition/work/exhibition-work--5f81b7d7-8329-4429-8a91-45b16901040e.jpeg", "type": 2, "classify": 2, "title": "节气", "introduce": "节气", "artist": { "id": 108, "avatar": "https://ycg-1251509803.file.myqcloud.com/exhibition/artist/exhibition-artist--3233c756-45db-4dae-aaa3-5a79af98b597.png", "pseudonym": "七日散人", "title": null } }

七日散人 插画作品

{ "id": 564, "artistId": 93, "cover": "https://ycg-1251509803.file.myqcloud.com/exhibition/work/exhibition-work--9aee72c0-9dc7-4813-a234-d335d99e4dba.jpeg", "type": 2, "classify": 2, "title": "兔趣花间", "introduce": "插画《兔趣花间》", "artist": { "id": 93, "avatar": "https://ycg-1251509803.file.myqcloud.com/exhibition/artist/exhibition-artist--ef00f39b-8d9e-49a7-9c19-730bcb37583e.jpeg", "pseudonym": "何爱洁", "title": null } }

何爱洁 插画作品

{ "id": 270, "artistId": 54, "cover": "https://ycg-1251509803.file.myqcloud.com/exhibition/work/exhibition-work--cde37c47-f764-4038-ac7e-1218cc9e36d2.png", "type": 2, "classify": 2, "title": "镜片蜜桃", "introduce": "《味道·食之寓言》\n在《林中路》第一篇《艺术作品的本源》中海德格尔对梵高《农鞋》进行过描述：他从鞋黑洞洞的敞口中看到了劳动者步履的艰辛，从硬邦邦、沉甸甸的破农鞋看到了聚积在田垅上的坚韧与滞缓，鞋皮上粘着的温润的泥土在田野小径上踽踽独行。“在这鞋具里，回响着大地无声的召唤，显耀着大地对成熟的谷物的宁静的馈赠，表征着大地在冬闲的荒芜田野是朦胧的冬冥。这双器具浸透着对面包的稳靠性的无怨无艾的焦虑，以及那战胜了贫困的无言的喜悦，隐含着分娩阵痛时的哆嗦，死亡逼近时的颤栗”。这里所讲的是海德格尔从梵高的《农鞋》品到的“味道”。     \n我将这个系列的作品整体命名为《味道·食之寓言》，一方面食物本身有味道，一方面画也有味道。“味道”一词常常用来描述对某一特定物的个体感知，我想将两个方面结合起来，食之有味，品亦有味。\n食物的平常性常常让人忽略它能传递的信息，即便每日相处，也仅仅只是点头之交。我想它也有生命，它也有灵魂，我想和它交流，和它成为朋友，如此才能真正的认识它。《味道·食之寓言》系列聚焦于对视觉、味觉、触觉和情感之间的联系，表达对身边最常见的食物的视看感知。视觉可以看到的往往是外在的形体、色彩、质感和细节，而“味道”需要通过这些外在之物联系情感表现出来。通过视觉的看，味觉的品，触觉的抚摸，构成我对食物的整体性认知，再从食物本身给我传递的信息进行情感共鸣，真正的品鉴它们的“味道”。“味道”可感而不可见，是艺术中一种“沉默的声音”，通过绘画的手段，给予那种世俗眼光视而不见的东西以存在的可能性。", "artist": { "id": 54, "avatar": "https://ycg-1251509803.file.myqcloud.com/exhibition/artist/exhibition-artist--732696bd-5c51-455d-9b6d-a6bae53cf0ab.png", "pseudonym": "唐婷", "title": null } }

唐婷 插画作品

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